
By: Suzy Nightingale
Once Upon a Time there happened to be a man who, whilst mostly satisfied with his life, felt a deep stirring in his heart to trace his family history, to reach back through the years and shake hands with his ancestors, as it were. Perhaps you recognise this need to look back and wonder, to introduce yourself to those who came before you and find out what they were like, who they became, and what they would have thought of you, now? It’s certainly a calling that many of us feel, particularly in this age of families and loved ones scattered all over the world, separated perhaps by necessity or choice.
The esteemed House of Grossmith were no strangers to adventure—something that must surely run in the family to this day—as they forged ahead with great advancements in the modern perfumery of the early 19th century. This pioneering spirit combined their meticulous standards with the all-encompassing trend for the Exotic, and the three perfumes they created are at the very heart of the Grossmith revival today; Hasu-no-Hana, Phul-Nana, and Shem-el-Nessim. The very names roll sensuously off the tongue, an incantation evoking a sense of mystery, the delicious shock of the new, yet safely anchored in their rich heritage.

The precious secret formulae for these perfumes would have been lost forever, had the books containing the hand-written lists of ingredients and notes regarding their blending not been rescued from the London offices, so sadly bombed during the Blitz. These tomes were passed down through three generations of the family, until 1970 when the brand left the family and then, the very heart ripped out, closed down soon after.


Hearing Simon and his wife, Amanda, talk about their business, a shyly proud glow beams from them, as if they were discussing a particularly gifted and treasured child, a much-loved member of the family itself. Grossmith encompasses many of my own passions—the Victorian era (my absolute favourite period of history), the perfume
labels, packaging and design, and of course the wonderful perfumes themselves. It was inevitable: I was bound to fall deeply in love with this modern fairytale, both with the story of how they came to be, and with the company itself.

And so to the perfume itself—Betrothal is a floral bouquet with a citrus opening which blooms quickly into the floral heart of Rose de Mai and Jasmine. Incidentally, this precious ingredient can only be called ‘Rose de Mai’ if it is specifically grown in the tiny town of Grasse, in France—the very heart of perfumery itself. Very few perfume houses source their ingredients from here, now, as they are so incredibly expensive to produce. Of course, Grossmith, working closely with the renowned perfumer Roja Dove, decided they must only ever use the finest ingredients to honour the history of the family name, whilst also ensuring the quality of their perfumes keeps them in annals of perfumery history yet to be written.
Roja Dove describes this Betrothal by likening it to a modern-day gardener taking the same flowers in that original hand-written list, but planting them in a contemporary pattern. A paradox: the same but different. Original, contemporary, roots deeply flourishing in history: quintessentially English. Fit for a Queen.
Alexandrarae: Oh that's okay, I just get upset when people dismiss fragrances as "too expensive" when I really think we need high quality perfume houses to keep the industry as exciting and fresh as it can be, that's all! I'm thrilled to hear you may like to try a sample of one and I'd absolutely love to read your review of any niche or luxury brand you try, truly. I have never been so excited as when I first tried a niche brand - it opens up a whole new area of perfume to be passionate about! :) xxx
Sorry Miss Nightingale ... didn't mean to upset you. Take your point about the time and special ingredients and quality etc. to make these very authentic perfumes. Hope one day I will have the opportunity to just have a precious drop on my wrist to understand what a truly great perfume smells like. I think to date, that Patou's Sublime has been the most expensive one I have bought so haven't had the opportunity to even try a niche perfume like Betrothed. Consider me chastened! Love your review by the way and can tell you are a Passionate Perfume lover, as I am. Regards, Alexandrarae
Alexandre: It's not a souvenir, and it's not for Will & Kate's wedding - it was always going to be the next perfume on the historic list to be re-vamped, but as the original was made for William's great-great grandmother, it would seem very odd not to have released it as they planned! It is expensive, yes, but so are the incredible ingredients. I met the lady who had spent months & months chemically analysing vintage bottles of the original vintage Betrothal perfume... She & her team work in Grasse & were directly responsible for sourcing ingredients as close to the quality & standard of the original as possible. I also met the man who spent years working on the exact engraving they wanted on the bottles, the people who were specially comissioned to make the boxes - as you can imagine, employing all these experts to not only research the original so extensively, but to create works of art (and I've had them in my hands, that's what they are!) is very labour intensive & costs a lot of money.
It's a bit like saying "Goodness, aren't handmade couture wedding dresses much more costly than mass-made t-shirts?!" Yes, they are, but there's a really good reason for that! :)
I know Betrothal is a much more considered purchase than many perfumes you can buy in high street shops & supermarkets, but the perfume industry only continues to thrive because of artisan companies & niche perfumiers insisting on premier ingredients & craftsmanship at every stage.
Yes, there should always be more reasonably priced perfumes for us to buy along with our groceries or just on an impulse, but I am so glad there are still companies out there making beautiful perfumes like this. Even if I can't always afford a whole bottle, I get decants to try & sometimes save for ages & really treat myself with a luxury one - and I'd live to do that with one on my forthcoming wedding day! ;) x
WOW.......What a money spinner this one is - another "souvenir" for Wills & Kate. Three hundred and Seventy Five English Pounds for a 50 ml bottle - that's Seven Hundred and Fifty Dollars here in Australia. One would have to be extremely well off to be able to purchase this one. (Must admit I would probably love it - the notes sound gorgeous and I like the sound of a bit of "minxy naughtiness"!) My invitation to the wedding got lost in the post but we are looking forward to watching it on the tele. Cheers, Alexandrarae
Whoam, the Brooks are doing things the right way! Very clever! And very sympathetic! I'm sure the perfumes are masterpieces, unfortunately way over the top price-wise for me mainstream consumer.
That sounds like finding a time capsule, and how they learnt about their family history of perfume making. Their care about the delicacy of perfume ingredients sounds like carefully written compositions.
TigerLillian: Their perfumes are really beautiful, I hope you get to try some more :) I love companies who focus first on the quality of their fragrances, not just ad campaigns!
NebraskaLovesScent: Thank you! I just adore Victorian imagery & think it's so clever how Grossmith have come up with a way of paying homage to their old packaging designs with a flair for the new. Am somewhat obsessed with Victorian history, so this was such a joy to write about. Simon & Amanda are lovely people, too.
I sampled Phul-Nana not so long ago--highly impressed with the quality and mastery. I'm looking forward to trying more!
Very nice, Suzy! Betrothal looks like a gorgeous scent!
I can't stop looking at those old Victorian bottles and labels. So colorful and animated! Though the new sleek packaging on their scents is also lovely and elegant.
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