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Conceived for and geared to the American market. The name alone conjured up a traditional image of Paris, lighthearted and joyful. This scent is a seducing burst of white flowers: a bouquet of jasmine, lilac and violet.
French Cancan was launched in 1936. The nose behind this fragrance is Ernest Daltroff.
Top Notes
Middle Notes
Base Notes
-Parfum Review-
Intense, great sillage, longlasting and spicy. I like very old-fashioned fragrances but this seemed a bit too mature for me.
Good but I just can't get very excited about it.
(Parfum review)
Actual notes: jasmine, lilac, violet, lily of the valley, rose, orange blossom, patchouli, iris, sandalwood, amber, oakmoss
Cancan unfolds like a night at a club. First you walk in and find yourself alone, and it takes awhile for other patrons to show up. Abruptly, however, jasmine and lily of the valley walk in, with a shaken bottle of champaigne that opens with a BANG and covers you with sticky, sweet bubbly.
this phase i don't like, as the jasmine is too strong for me and in my head I was composing my first Caron epitaph. Around the 1 1/2 hour mark violet and lilac show up, which have the effect of two well heeled ladies that walk in and cause the roudies to settle down.
But they don't stay nice for long. At the two hour mark the 'conversation' turns a bit salicious. I don't know what's causing htis, but the middle phase wears a bit 'dirty' on me, not stinky, but certainly not fresh.
in a strange way the conversation remains interesting, and as the hours pass by i find myself returning to my wrist to satisfy my curiosity. The dry down is best, the opening is trying. As a floral this genre does not appeal to me, but as a Caron it is certainly worthy of the name and reputation.
To love this you have to be a strong Jasmine fan. To appreciate this you have to be a true perfumista. To like this you just have to know how to enjoy a night on the town.
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