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Joya team has produced sensual fragrances in hand cast porcelain bottles, with perfume wands dipped in 22 karat gold. In addition to the exquisite parfums, the collection also includes travel size parfums and indulgent, artisanal soaps with porcelain trays.
Composition No. 6, an intoxicating perfume oil housed in slipcast black porcelain bottle and 22k gold dipped wand.
Top Note: Fujian cypress, juniper berries and tangy yuzu.
Middle Note: silken lotus leaves and blossoms, enhanced by a fresh air accord.
Dry Down: lush, green meadowgrass blended with rich cedarwood, saffron, and
amber.
“Joya has always valued the element of surprise—and incorporated this admiration into its range of products,” said Bouchardy. “It's only fitting that we would offer something as unexpected and, in many ways, anachronistic as a dyad of mysterious perfume oils with ‘magic wands.’ For the packaging, we were inspired by the classics: Arpege and even Helmut Lang. For the fragrances, we were inspired by our own personal experiences and desires. Rayda Vega is the ‘nose’ behind them.
We decided to use perfume oil because it has a sensuous and lasting quality. It interacts with a person's chemistry and persists and transforms throughout the day and night".
Sarah Cihat designed the vessels for the collection and worked closely with Bouchardy to create one-of-a-kind pieces for the parfums.
“Each piece is cast by hand and finished in New York. It's a rather arduous process, but every bottle truly is a work of art,” says Cihat. “Since they are all handmade— cast, cleaned and fired—naturally, no two are exactly the same. And there are imperfections. But this is what we love so much about this project and product—that, while so many things are mass-produced and uniform, something as personal as perfume is housed in a vessel that has been crafted by people. The gold-dipped wand is especially decadent too.”
The design was inspired by the past: cut glass and round perfume bottles. Combining these elements with a love for asymmetry found in nature results in a sheer uniqueness of form. The bottle is small and precious like a soft stone in your hand. There is this inherent warmth. It feels natural to hold.”
Top Notes
Middle Notes
Base Notes
This flacon is an article for itself.
Certainly packaging is the most important thing in presentation and the most influenssive matter to persuade costumers.
This design is niche for itself specially since it's handmade ceramic with a real gold head pin.
Now compare it to By Kilian perfumes that are just remarkable. Do you tend to buy the perfume if its bottle is simple? Of course you welcome to more charming vision. Many niche perfumeries insist to provide simple bottles to emphasize that the only importance is quality but Fredrick Bouchardy invested in the right way!
Joya FvsS No. 6 is an interesting composition that stands out for its utter lack of sweetness. There's not even a drop of sweet floral in this one, let alone the vanilla sugar that we find in so many scents today. I do see Yuzu and Lotus listed among its notes, but my nose doesn't detect them at all. No. 6 is all about the green earthy notes.
No. 6 is so green and earthy that it borders on masculine to my nose, which means some women as well as men will absolute love it! Fresh-cut grass and freshly-turned soil for spring planting are the first things that come to mind when I wear this one. Throw in some trees and moss, too. This scent is the olfactory equivalent of shady trees in a dewy green meadow. It smells very natural and herbal and harmonious.
The format is perfume oil, so the sillage is a little softer than an alcohol-based perfume would be, but the longevity is excellent. This is a lovely scent for Spring and a refeshing blast of green amidst all the sweet scents out there.
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