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Sampaquita is the national flower of the Philippines, translated as 'I promise you', in other words, that is Sambac jasmine, growing in South-eastern Asia and India. This beautiful flower is considered a symbol of innocence, faithfulness and loyalty.
Composition is very original and it differs largely from other perfume compositions based on jasmine. Sampaquita has symbolic characteristics. It is very gentle and fragile, but also as charming as youth itself.
Moist notes of summer morning (litchi, grass oil, bergamot and magnolia) develop in an opulent floral bouquet with sampaquita (absolute), freesia, rose and water lily. Comfortable musky-woody base rounds up this most gentle jasmine perfume.
The fragrance is available in perfume extract (30% extract) and eau de parfum (25%) in 50 ml flacon. Ormonde Jayne suggests another concentration named Parfum d'Or Naturel. This alcohol-free sort of fragrance which includes natural sugar is mixed with perfume and gold in 15 ml flacon. Perfume in this form is gently rubbed on the body. It is perfect for romantic and festive atmosphere, since your body does not just smell wonderfully but also shimmers.
Flacon is simple, elegant and made of thick glass, while box is made in two colours – mandarin and ebony. The nose is Linda Pilkington. Sampaquita was launched in 2004.
Top Notes
Middle Notes
Base Notes
Parfum review.
I dove right into this one as soon as it arrived, getting a zesty green opening and what I was sure was a soft waft of incense (likely the vetiver). And then it was gone.
So I returned that evening for another try, now getting bridal veil whites and springtime shoots. Still not convinced, I used my heaviest hand yet this morning, hoping to stay with it longer than an hour. By noon it was gone altogether, so I came home and dumped the rest of the sample on myself.
For the first time I understood what people mean by the phrase, 'fecal jasmine'. Do I find this offensive? Oddly, no. This is a carnally charged, womanly scent that young girls should flee from.
Just take your time fleeing. Even if you bathed in this its gone before you know it.
The open on this fragrance is a bit rough, almost antiseptic in smell. I put this on and thought, "OH NO, what have I done?!?!?" and then about 30 minutes later something started to happen... all of these soft and elegant floral notes started wafting up from my skin and with time they only got better. The dry down on this perfume might possible be my favorite smell in the entire world, and as someone who is constantly looking for a new fragrance, I could honestly say that I might consider this as a signature scent tossing away all other perfumes in it's wake, it is just that good... I find most of the Ormonde Jayne fragrances I have tried play that way though, startling opening followed by a magical dance to something wonderous and beautiful, like a perfect burlesqe strip tease.
This scent starts off soft but fresh - the grass and magnolia combine to give a green, sap like initial aroma and after about 20 minutes, the flowers make their entrance. Today was the first warm day in what seems like 6 months and as the sun would heat up the skin on my arms, I could smell a beautiful jasmine, freesia and sweet lily of the valley. Eventually it fades and while I couldn't smell it on my wrist, there is almost a memory of scent of spring flowers, woody vetiver, and light musk. All the Ormonde Jayne fragrances I have tried in my "starter kit" have been lovely but this is one of my favorites.
I love this scent from the first sniff, it's about Jasmine, but very unusual jasmine, I haven't smell such creamy strange jasmine before. It's very exotic, watery fresh, clean, I smell lychee at the very beginning, so juicy exotic touch and magnolia. It's creamy, very radiant and sometimes oily (in big amounts it can cause a headache, but not in this perfume). Then I smell white flowers, so pure white and romantic. I feel freesia in it, and jasmine at least! I smell it purely only about 20 minutes after applying the perfume.
For me it's a sophisticated portrait not of the jasmine itself, but of its symbols, meanings and dreams.
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