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Jour Ensoleillé (sunny day) is a unisex chypre that features a floral blend of orange blossom, tuberose, and jasmine grandiflorum over a soft woodsy, mossy base. Like the golden late summer sunshine as the season moves toward fall, Jour Ensoleillé warms your spirit with its uplifting blend of woods and florals.
Perfumer's Comments: "I was lucky to grow up in a rural area at the base of some beautiful wooded foothills. After school each day I spent my afternoons at a nearby barn riding horses and working until dark, and my favorite time of day was late afternoon when the setting sun created a beautiful golden glow on the hills in the distance and on the oaks all around me. Later on I lived in a more suburban environment and didn't have that special view, but I still found places to see the golden afternoon light on the street trees out the windows. Now I'm back in a beautiful spot again and treasure the hills all the time, but the late afternoon light is still my favorite. Jour Ensoleille makes me think of that afternoon golden glow on the hills and oaks; it's a happy scent for me".
Fragrance Notes: orange blossom, tuberose, jasmine grandiflorum, labdanum absolute, myrrh, sandalwood, ambergris, vetiver, green leaves, oakmoss absolute. The perfume was created by Laurie Erickson in October 2007.
Top Notes
Very well made and beautiful chypre. I don't know why I usually smell incense in chypre perfumes. Is it because of the oakmoss base note?
I agree with Kterhark that the more it settles down, the better it is.
A must try for white flower and chypre fans.
Jasmine and oakmoss—or reasonable facsimiles—loom large in Sonoma Scent Studio JOUR ENSOLEILLE. To my nose this is more appropriate for an overcast, threatening-to-rain day than as a celebration of bright sunlight. In fact, JOUR ENSOLEILLE seems just perfect for today in Boston, with a lot of wind, and numerous gray cumulus clouds threatening to spill their contents any moment now. The wind is so loud that it seems menacing, beckoning me to remain inside my warm apt. with my even warmer divine white furry feline friend, Diogenes incarnate aka Howard Hughes kitty aka Nanook of the North aka Houdini aka Orson Welles avatar aka Emperor Oliver, who, I recently learned is coincidentally the same age as Hugh Hefner. Let's just hope that HH kitty does not dump me for a younger, more nubile, could-be-his-great-granddaughter member of his very large fan club—all females in existence, to be precise. But I digress...
JOUR ENSOLEILLE has enough oakmoss to be a turn-off to those who have not acquired a taste for the somewhat dirty, dusty, even “old lady” quality of the perfumes in which it figures big. I, however, happen to like that note a lot. Is this presentation worthy of a full bottle? Probably not. This one reminds of several other middling oakmoss-rich perfumes and does not stand out from the crowd. It's not bad, but it's not great either. The alleged neroli and tuberose included in this composition are beyond my threshold capacity to detect. Désolée.
I read that Laurie likes to hear from wearers what feelings her scents evoke. Very well- this scent makes me want to be laughing with friends. This is a happy, joyous fragrance (and I thought that before reading her own inspiration for this)
Now more technical: this is the third fragrance I've tried from this line, and I feel comfortable saying these wear like Caron Urn fragrances on me. They open rather harsh and unpleasant, and you have to wait a good 40 min before you are rewarded with a long lasting, beautifully harmonized, gorgeous composition.
Now I like my scents to sit under my nose for at least 8 hours, and Ensoleille complies. This is a scent that turns 'watery' on me, which is a nice change from the sensously earthy fragrances that dominate my wardrobe.
Everything here is treated lightly, indeed, it's just like an afternoon spent at the seaside, with a warm breeze rustling the wild flowers and purity in every breath. one of my favorite floral chypres to date.
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